It’s no accident that the phoenix is an exalted moral, mythical, and figurative symbol in Iran. Like the phoenix, Iranian culture is in constant flux and, at times, elusive, with its existential wavering and blurred panoramas. Most of contemporary Iran’s artistic and creative leanings, its grapples with history and identity, are loosely and mystically conjoined and contested in memory. Iran is marked by the complex interplay of diverse constituencies, philosophies, and influences: ethnic, religious, political, geopolitical and historical. The glorification of pre-Islamic antiquity (in search of authentication) marked the socio-cultural attitude of a bygone era and is witnessing revival in the present day. The discordant reality of eastern traditions complicated by the rampant confusions of modernity has become a norm in Persian dialogue, not to mention revolution, exile, and diaspora. Like many other countries, the Sixties and Seventies were a time of tumult in Iran, bringing growth (via petrodollars) and freedom (under the banner of socioeconomic development) while exacerbating inequalities within the country.
The music and voices that blossomed during those decades exemplify the turbulence and excitement of the age. It is worth recognizing these ‘left out’ and ‘lost’ artists individually and as a group in the global happenings of 60s/70s psych, rock and folk, while exploring their influence and relevance to the present day. Is it possible that there is a genus of delectable sounds and fetching images that almost exclusively reside in the elbowroom of memory and nostalgic ‘yesteryear’ storytelling? Little consideration has been given to the correlation of these sounds and stories within the universal psychedelic phenomena: parallel to the shared stylistics of British and American players, and the radical politicking of their Turkish and Korean counterparts.
This collection endeavors to re-contextualize these songs from the realm of reminiscence, nostalgia, and memory into a specific and accessible narrative to share and relate within the universal musical gamut. It is for aficionados, the curious, and collectors alike. We hope that Iranians around the world will rediscover these songs. This collection is, in some sense, dedicated to a generation in self-imposed mental exile, due to years of war and catastrophe; decades of lies and bombs; a fundamentalist theocracy of reformist shams; addiction; isolation and alienation; unemployment, and inflation. These are voices and stories that may again prove relevant to a psychologically damaged and spiritually corrupt society, a society whose discontents recall the latter years of the Shah’s rule.
The recordings excavated here are highly sexual musings, voluble love songs, and simple folk tunes. In many of these songs, there are subtle voices of political protest. Here is a personal best, a handful of artists and diversely stylized songs, presented on Finders Keepers.
http://www.finderskeepersrecords.com/discog_fkr029.html
http://www.finderskeepersrecords.com
Directed by Johan Renck
http://www.feverray.com
http://en.wikipedia.org/wiki/Karin_Dreijer_Andersson
Hey, some people ask me what about over here, so, i’ve left wasamix for a while because of personal matters, it still updated, i still updating it, more slowly than before, some good and cool news are coming, i say thanks to all of you for your support and help building this small music blog for netlabel releases and major artists i like to listen to and support, a mix of cool selection and emotional music subjectively suggested. I will -for real- come back asap in touch will all artists that still waiting on me, in the meantime -please- have one more listen on Hoax, my most played track on my mp3 player in the last weeks, something deep, something repeating, something long, something simple but it f……g works, a mood that may represents wasamix for this early 2010. Thanks to everybody. Hear you soon. Here.
You have new releases or cool related events? Please drop me an email to dropbox[at]wasamix.com
Peace
F.
 |
|||||||||||||
|
|
|||||||||||||
|
|||||||||||||
|
|
|||||||||||||
|
|||||||||||||
|
|
|||||||||||||
 |
|||||||||||||
|
|
 |
|||||||||||||
|
|
|||||||||||||
|
|||||||||||||
|
|
|||||||||||||
|
|||||||||||||
|
|
|||||||||||||
 |
|||||||||||||
|
|
 |
|||||||||||||
|
|
|||||||||||||
|
|||||||||||||
|
|
|||||||||||||
|
|||||||||||||
|
|
|||||||||||||
 |
|||||||||||||
|
|
|
|||||||||||||
|
|
|||||||||||||
|
|||||||||||||
|
|
|||||||||||||
|
|||||||||||||
|
|
|||||||||||||
|
|||||||||||||
|
|
 |
|||||||||||||
|
|
|||||||||||||
|
|||||||||||||
|
|
|||||||||||||
|
|||||||||||||
|
|
|||||||||||||
 |
|||||||||||||
|
|
 |
|||||||||||||
|
|
|||||||||||||
|
|||||||||||||
|
|
|||||||||||||
|
|||||||||||||
|
|
|||||||||||||
 |
|||||||||||||
|
|
E-mail: dropbox at wasamix dot com
Copyright © 1991-2010 wasamix.com. All trademarks and copyright belong to there respective owners and are only used to redirect you to -original sources- third part Web sites. All other media are copyrighted, and belong to their respective owners. All other rights reserved and/or some rights reserved. wasamix.com is not responsible for the content of external Web sites. wasamix.com does not link to external Web sites in return for cash, services or any other consideration in kind. The inclusion of a link to an external Web site from wasamix.com should not be understood to be an endorsement of that Web site.
WordPress theme derived from Upstart Blogger
