http://www.wasamix.com/2010/10/23/selected-benjamin-dauer-burning-of-wine-distancerecordings-com/

wasamix
Ambiental and soundscape, discreet melodies and deep atmosphere, a release to listen to in the dark or in front of a multicolored sunset…

from distancerecordings.com
Benjamin Dauer is a Washington, D.C based musician and composer who has most recently been working on scores for choreographed modern dance pieces. He has previously released on Distance as part of the duo Offsets, a long distance collaboration with Scottish musician Dominic Dixon.
‘Burning of Wine’ is his debut album under his own name and was recorded especially for Distance. The album is both spacious and subdued, and this is contrasted with moments of dense sonic intensity. Benjamin combines digital sounds with occasional processed field recordings and subtle swells from the bass guitar, his main instrument, creating a well balanced contrast between organic and inorganic textures. The deep sub bass pulses, digital drones and high frequency melodic turns already present throughout the album have all been given further emphasis by the mastering treatment carried out by James Plotkin, whose previous clients have included: Sunn 0))), Earth, Nadja and Fennesz. Headphone listening especially recommended.

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http://distancerecordings.com/dist018

http://distancerecordings.com/dist018
http://distancerecordings.com
http://www.benjamindauer.net

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http://www.wasamix.com/2010/10/22/exhibition-maryanne-amacher-city-links-ludlow38-org/

from ludlow38.org
Ludlow 38 is pleased to present the exhibition Maryanne Amacher: City-Links. Between 1967 and 1981 the pioneering sound artist produced 22 City-Links projects in total, connecting distant microphones to installations and performances using dedicated FM-quality analog phone lines. Areas of downtown Buffalo, MIT, Boston Harbor, the Mississippi River, the New York harbor, studios in various locations, and other sites in the USA and abroad were transported, sometimes integrating performers near the microphones (such as John Cage and George Lewis for City-Links #18 performed at The Kitchen in 1979). The exhibition at Ludlow 38 brings together a number of documents, images and sound samples selected and reproduced from the nascent Amacher Archive as a first look at this important series of early telematic art works about which little has been published.

Maryanne Amacher wrote about her City-Links series: In my first sound works I developed the idea of sonic telepresence, introducing the use of telecommunication in sound installations. In the telelink installations “CITY-LINKS” #1-22 (1967- ) the sounds from one or more remote environment (in a city, or in several cities) are transmitted “live” to the exhibition space, as an ongoing sonic environment. I produce the “CITY-LINKS” installations using real-time telelinks to transmit the sound from microphones I place in the selected environments, spatializing these works with many different sonic environments: harbors, steel mills, stone towers, flour mills, factories, silos, airports, rivers, open fields, utility companies, and with musicians “on location.” The adventure is in receiving live sonic spaces from more than one location at the same time – the tower, the ocean, the abandoned mill. Remote sound environments enter our local spaces and become part of our rooms. Installations of “CITY-LINKS” include works created for solo and group shows at the Museum of Contemporary Art, Chicago (1974); Walker Arts Center “Projected Images,” Minneapolis (1974); Hayden Gallery MIT, “Interventions In Landscape,” Cambridge, Mass (1975); Institute of Contemporary Art, Boston, Mass. (1975); Corps de Garde, Groningen, Holland (1978); the Kitchen Center, NYC (1979); Radio France Musique (1976); Mills College (1980 & 1994).

Maryanne Amacher was born on February 25, 1938 in Kane, PA and died October 22, 2009 in Rhinebeck, NY. At Maryanne Amacher’s urging The Amacher Archive was initiated by her friends Robert The and Micah Silver during her illness in the summer of 2009. For more information or to support the project: http://maryanneamacher.org

A tribute to Maryanne Amacher will be held on the first anniversary of her death, October 22, 2010 and is organized and hosted by the MIT Program in Art, Culture and Technology in Cambridge, MA. More infohere

http://www.ludlow38.org/index.php?/upcoming/maryanne-amacher-city-links/

Maryanne Amacher: City-Links has been curated by Tobi Maier, Micah Silver, Robert The and Axel Wieder
Thursday – Sunday: 1-6pm and by appointment

http://www.ludlow38.org/index.php?/upcoming/maryanne-amacher-city-links
http://www.ludlow38.org
http://maryanneamacher.org

LUDLOW 38 KÜNSTLERHAUS STUTTGART GOETHE INSTITUT NEW YORK
38 LUDLOW STREET
BETWEEN GRAND AND HESTER
NEW YORK 10002
TEL +1 212 228 6848
info[at]ludlow38[dot]org

Photograph courtesy of MARYANNEAMACHER.ORG

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/2010/08/10/multi-touch-light-table-gergwerk-com/

Senior Degree Project for the Kansas City Art Institute. DJ touch screen interface and gesture interaction concepts.
Gregory Kaufman (GERG)


http://www.gergwerk.com

http://www.gergwerk.com

http://www.gergwerk.com

http://www.gergwerk.com
http://gergkaufman.blogspot.com
http://vimeo.com/gergwerk
http://www.behance.net/gergwerk


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